Series Such As The Duffer Brothers' Hit and The Survival Drama Are Turning Overstretched. I Advocate For the One-and-Done Show

This scenario is painfully common. The second series of your beloved TV show premieres online, and you're brimming with anticipation. The initial run ended flawlessly: future plotlines were teased tantalisingly, and a protagonist met a mysterious end – or so it seemed. During the hiatus, you scoured online forums with other hardcores to decode subtle references illuminating what would happen next.

Unfortunately, the return episode disappoints. The writing appears robotic and uninspired. By the next installment, your favorite cast member has done something that you and Reddit user Fishy2345 agree is totally out of character. By episode five, it becomes obvious the creators forgot concerning narrative arcs clearly established previously. And by the disappointing finale, you silently wish that the show had just been cancelled.

The Curse of Too Many Seasons

Wishing for cancellation can only be retrospective; viewers usually oppose premature cancellations. Take Kaos, an amusing Greek myth parody featuring Jeff Goldblum, which Netflix dropped over poor ratings. Yet audiences can console themselves that the program avoided a disappointing second season.

Looking back at the horror-mystery show Yellowjackets, I now wish it had been a limited series. The first season boasted an inventive concept, with ten flawless installments. In 1996, a plane carrying an all-girl high school football team crashes in the middle of nowhere. Top-notch cast members (including Juliette Lewis, Lauren Ambrose and Sophie Thatcher) depicted the survivors in dual eras. There were multiple award nominations, and the showrunners proudly announced there would be five seasons to fully explore the narrative. However, a season four finale was just confirmed. This news brought me relief.

Gaten Matarazzo, Finn Wolfhard, Caleb McLaughlin and Noah Schnapp in the forthcoming fifth season of Stranger Things.

The show has made narrative choices that have undermined its heart. Instead of focusing on the survivors' reintegration, and their struggle with traumatic memories, we were taken in directions that bloated the original premise. That included the show’s tiring habit of highlighting added personalities (like the underdeveloped daughter Callie) with minimal impact on the main narrative. It’s frustrating, and watching a beloved program become tedious is sad.

A Growing Trend

However, Yellowjackets isn't alone. Programs including Emily in Paris, House of the Dragon, Squid Game and Stranger Things have lost the shock of the new, and fallen headfirst into expected or comfortable cliches. At times, programs must stop while successful.

The thing is, there are joys to be had in a limited, “one-and-done” series. From Sharp Objects to I May Destroy You to Adolescence, writers understand when narratives find completion. But the game is over when shows such as Big Little Lies, first conceived as self-contained, extend endlessly with reduced impact. Hopefully, Adolescence’s producers have thought twice about that rumoured season two.

The Perfect Example

I desired Yellowjackets as a single-season show, living rent-free in our imaginations, cliffhangers and all. My top series ever followed this pattern. This beloved 90s drama, the quintessential youth program, concluded after a single run but achieved film-like breadth: the personalities were complex and inconsistent, the filming captured a fall aesthetic, and the conversations avoided cliched adolescent writing. The ending left questions unanswered, yet this mirrors real life accurately of adolescent uncertainties remaining perpetual. After 18 perfect episodes (and one dodgy one), I felt devastated and created my own continuation to address unfinished business. Despite existing on obsolete equipment, it shows how series resonate profoundly.

The Special Relationship

When producers honor the special viewer-program bond, more programmes can bow out when the time is right.

  • This writer covers entertainment and style.
Dominic Norman
Dominic Norman

Luca is a seasoned web designer and digital strategist with over 10 years of experience helping brands stand out online.